Guests in episode 6: Marianne K. Ertl and Lina Zylla
Bathtubs full of empty bubbles, uninvited roommates in the form of insects or lovers under the bed, spit-out foreign teeth. And somewhere in between: Gloria again and again. Gloria between empty bubbles, Gloria between circling thoughts and spitting out other people's teeth, Gloria between the looks of others. Gloria; and every now and then a little glitter. Marianne K. Ertl was born in Graz in 1996, grew up in the Wachau region and has since become a Viennese for study reasons. She explores the question of what art is and what belongs away by creating thoroughly unscientific linguistic formations in addition to scientific input from her studies in art history and philosophy.
In literary terms, she is mainly active in the field of short prose, but also ventures into other terrain. Samples of her word concoctions can be read in various literary magazines and heard on reading stages.
The artist Lina Zylla has a background in painting and sculpture and extends her practice into the field of sound and performance. In her sound performances, she transforms self-recorded voices, field recordings, mantras and loops into vibrating soundscapes in which reality begins to waver. The electronic sounds are not created using synthesizers, but by distorting and altering samples and live vocals. This results in rhythmic vibrations and complex sound fabrics that open up acoustic spaces in which perception and experience glide and tilt.
THIS IS DACKEL IN DISCOMFORT:
Do we get to see them (so, dachshunds)? No. Would be cool, of course, but not for now. Are we supposed to be them? No, we're not that presumptuous. But we are small animals. And that's what we do. Are these evenings for people who like to see what others do? Partly! Unless it's really counterproductive, even destructive. Which it can be! The battle is fought on the premises, there are no promises.
The cornerstones:
* Any µ (Mü) of pretentiousness that resonates in the term "literary event" is to be nullified.
* Every arrogantly raised eyebrow is to be pushed back down towards the eye socket.
* Those whose eyes glaze over uncontrollably due to a performance should - if desired - be given hugs!
* Those swashbucklers and swashbucklers who use the open setting of the evenings after the performances as a stage for unreflected self-expression, even exaggeration, should be gently but firmly quietened.
* It is allowed to laugh and pray.
Even if the evening is informal, it may have a tendency to overstimulate. In addition to the total self-interest of the organizers to present their own unpublished texts, people of different creative genres will have their say, contrary to any establishment in the art and literature business, successfully escaping the usual pigeonholes. Lofty goals, unashamed directness. And dachshunds have always been noble.
This content has been machine translated.Price information:
Free admission, donations welcome