In the organizer's words:

Lullabies for Dinosaurs: Sound performance for voices and electronics
Performers: Zhuoni Li, Matthias Müller, José del Avellanal Carreño

What if creatures from the distant past could still hear us? “Lullabies for Dinosaurs” is a sound performance for voices and electronics, weaving noisy textures, heartfelt melodies, mysterious drones and bright synthesised sounds into imagined songs for beings that have vanished. Through a fusion of live performance, extended vocal techniques, and immersive electronic textures, the work invites audiences into an evocative sonic journey, exploring the echoes of lost worlds and unrealized possibilities.

Edith Steyer

Edith Steyer is an improvising and experimental clarinet and saxophone player, deeply embedded in Berlin's Echtzeitmusikszene. Their musical interests lie in creating spacy and often noisy soundscapes, built upon structure, texture, and form. Transparency and density are key elements in their music, achieved through the interplay of individual sonic events and layered sound. A defining characteristic of their practice is the integration of the Rumberger pickup, embedded within the clarinet's body. This allows the instrument to transcend its traditional role, transforming it into a percussive sound source. Steyer employs various preparations and extended techniques to construct abstract sound images. Performing for an audience, armed with their instrument and electronic devices, Steyer guides listeners through a journey of improvisation. This act of artistic expression is also a form of self-exposure, venturing into an uncertain future. Each performance carries the inherent risk of failure, mirroring Steyer's personal situation: the interplay of inner and outer conditions as a psychological and social being, and the inherent insecurity of life itself.

https://www.edith-steyer.de/
https://edithsteyer.bandcamp.com/

Pascal Marzan

Currently living in London, Pascal Marzan performs on a 10 string microtonal guitar. After studying classical guitar – mainly devoted to the twentieth century repertoire – and teaching guitar in several music schools in Budapest, Hungary and France, Pascal has dedicated himself to free improvisation and the exploration of microtonal tunings of his instrument. His playing has been influenced by his interest in the folk musics of Eastern Europe, Asia and Africa… He has recorded guitar duets with John Russell, Roger Smith (Emanem records) and a trio with Sabu Toyozumi and Dan Warburton (Improvising Beings records)…
https://soundcloud.com/pascalmarzan

Mit Unterstützung des Verbandes für aktuelle Musik Hamburg e.V.

Price information:

8-12€