In the organizer's words:
Lilith Max opens the door to a world of sound in which fairy tales, myth and the undisguised voice of a young artist merge. Born in Germany and raised in the USA after moving there at the age of six, she showed a passion for the performing arts from an early age: Ballet, acting, singing - these disciplines shaped her young life. But Lilith Max decided not just to take on roles, but to tell her own stories. After starring in film projects such as "Call of Duty WWII", "The Chocolate Soldier" and "Tumbili" and receiving several awards as a child actress, she turned her attention to music. Her debut EP "Storybook", released in November 2022, is more than a collection of songs - it is a narrative weave. Five songs that tell of dark forest stories ("Big Bad Wolf"), Nordic frost ("Ice Age"), unhappy love ("Sacrifice") and cautionary tales ("The Cautionary Tale"). Musically, Lilith Max oscillates between genres: folk elements, ambient synths, acoustic instruments and jazz influences combine to create a full, often theatrical atmosphere. The voice - rich in variety, strong, with expressive highs and lows - is often emphasized in reviews. It not only conveys melody, but also moods between anxiety and courage, loneliness and longing. A more recent song, "Seraph", shows how her style is evolving: still poetic, still haunting, but at the same time more open to the pop spectrum. Her next EP "Makings Of A God" will be released in September 2025. While her recordings already open up atmospheric worlds, it is live where Lilith Max has a very special effect. The transformation from studio intimacy to stage presence comes to the fore. Songs like "Big Bad Wolf" or "The Cautionary Tale" in particular demand a live experience that is not just performed, but felt. It's not just about technical perfection, but about the moment when the audience pauses, when fairy tale meets reality - when martyrs, monsters and survivors come together in one song. A tour offers the opportunity to expand this emotional range: Variations in arrangement, the interplay of light and dark, perhaps also interactions between piece narration and the audience, who bring their own fears, desires and stories. Concerts are also a crucial bridge between past and present: the musician's German-American life, her poetic images of fairy tales, myths and human vulnerability are given a sound space in which boundaries between countries, languages and cultural expectations become blurred. Lilith Max will be in Germany for three concerts in the fall of 2025. A rare opportunity to experience this artist not only on recordings, but with her body and voice in the room - her stories in real time, her voice unprotected and genuine.
This content has been machine translated.