Mnozil Brass

In the organizer's words:

The fact that the waltz-drunk "Duidu, Duidu" and its relaxed counterpart "Dudidubidu" are really only a stone's throw apart, not much more than "a warm embracing dance away" - this has been clear to the masters of Mnozil Brass for ages. For more than thirty years now, these seven talented musicians have been moving back and forth between Johann Strauss and Frank Sinatra, between Shostakovich and Prince, or even passionately from Schubert to their Queen cousins. She cares as little for the solemn grandeur of the one as she does for the supposed banality of the other. But Strauss - whom Brahms, Wagner and Verdi, as well as the craftsmen and the girls from the suburbs (and even a Gershwin) adored - was the forefather of nonchalant dalliance between the chairs. Strauss was the first to produce hits by the metre, he hired an arranger to work faster and realized that together with his brothers he could reproduce his sound worldwide. He was the first to undercut E and U and became a mass phenomenon as the Waltz King - the tills never rang sweeter. In Strau$$, Mnozil Brass really reveal everything about Strau$$. Even the last thing.