An evening full of Mozartian genius: original sound specialist Andrea Marcon and the celebrated Mozart interpreter Julia Lezhneva trace the stylistic development of the Salzburg composer in this program. The program opens with the overture to "Le nozze di Figaro", which introduces the opera's humorous confusion with its sparkling lightness. This is followed by three arias that illuminate different facets of love: Fiordiligi's heartfelt plea for forgiveness from "Così fan tutte", Aminta's tender declaration of love from "Il re pastore" and Sesto's highly emotional parting pain from "La clemenza di Tito". The C major Symphony K. 338, whose opening bars refer to the overture to "Idomeneo" written shortly afterwards, and the E flat major Symphony K. 543, which captivates with its sublime tonal language, complete the program instrumentally. A highlight of the evening is the radiant soprano motet "Exsultate, jubilate" - actually composed for the church - which could also be performed on an opera stage with its fast coloratura and dance-like energy.
WOLFGANG AMADEUS MOZART
Overture to "Le nozze di Figaro"
WOLFGANG AMADEUS MOZART
Fiordiligi's recitative and aria from "Così fan tutte"
WOLFGANG AMADEUS MOZART
Aria of Aminta from "Il re pastore"
WOLFGANG AMADEUS MOZART
Symphony in C major KV 338
WOLFGANG AMADEUS MOZART
Aria of Sesto from "La clemenza di Tito"
WOLFGANG AMADEUS MOZART
Motet "Exsultate, jubilate"
WOLFGANG AMADEUS MOZART
Symphony in E flat major KV 543
Conductor ANDREA MARCON
Soprano JULIA LEZHNEVA
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