SICHTBARE MUSIK – CROMBF zieht durch…

In the organizer's words:

CROMBF continues with SICHTBARER MUSIK. This time in the spirit of ad hoc performances. CROMBF has everything with him, needs little space and not even electricity if necessary. The whole thing is documented in sound and vision. A music film is created alongside the concerts, emphasizing the blurring of the boundaries between the visual and the physical.

CrOMBF combines free improvisation, conceptual pieces, live electronics and spatial acoustic interaction. Their music defies conventional structures and offers an immersive listening experience that evolves in real time. Each performance is a unique dialog between the musicians and their environment, creating highly dynamic music and sounds that challenge and engage the audience.

CrOMBF are:

https://crombf.bandcamp.com/

Mattia Bonafini mattiabonafini.bandcamp.com. He works in the fields of composition, improvisation, electroacoustic music and performance. He explores the contamination of different musical genres and combines them with other practices such as text and visual art. Communication with the performers, musicians and contributors is an important point in creating specially tailored works

Christoph Ogiermann. https://www.pgnm.de/rem He began composing in 1990 at the suggestion of Erwin Koch-Raphael and has been writing music ever since. Since then he has worked as a recitalist, singer, violinist and keyboard player in the fields of free improvisation / conceptual improvisation and European art music. Composer. Recent work in the field of electro-acoustic multi-channel projects.

Christian Rosales Fonseca https://crofon.com/. ER is a composer, improviser and electric guitarist from Bogotá, Colombia. He studied composition at the University of the Arts Bremen. He is currently a doctoral student at the HfK and the University of Groningen. In his work, he integrates political and social themes from recent Colombian history and looks at them from a post-colonial perspective. His music reflects transcultural musical influences from Europe and Latin America, but he avoids adopting an exoticizing perspective.