The Return of the Living Punk

In the organizer's words:

🧟‍♂️ THE RETURN OF THE LIVING PUNK 🧟‍♀️
On 31.10. we celebrate Halloween in Nuremberg with dirty guitars, flickering lights and lots of undead!
After the concert we'll be dancing with the dead!

🔥 Live on stage:

Klinikel - Between neon light and nervous breakdown
It is said that they first appeared in a forgotten rehearsal room on the outskirts of Nuremberg - somewhere between empty hospital corridors and flickering neon lights. No diagnosis. No therapy plan. Just a tape recorder, a rusting guitar and the urge to turn the unspeakable into noise.
Klinikel - these are not musicians, these are survivors. Of nights without sleep. Of cities without a heart. Of systems that know no salvation. Their songs: pulsating memos from the inner state of emergency. Their lyrics: Between worldly disgust, depression and the desperate hope that someone is listening.
The debut "Endstation: Irrenhaus" sounds like an escape - but without an exit. Guitars circle like thoughts, the bass hums like a broken hospital machine, the vocals cut through the surface of normality like a scalpel. Each song is a room in the building of repression. And Klinikel are the house ghosts.
They call their style super-serious cross-genre - somewhere between post-punk, gothic rock and broken radio vocals. But anyone who has heard them once knows: it's not a question of style. It's a state of mind.
They are currently working on album number two. Rumor has it that it will be even darker. Even more honest. Maybe even more beautiful. Or maybe the opposite.
Klinikel - they are the ones who sneak through the corridors at night and collect the pain that others don't want to feel. Music like a cold washcloth to the face. And sometimes, very rarely, something like consolation can be heard among all the madness.

Flood of sin
Anyone looking for a straightforward bio of a steep, brilliant career need read no further. We can do everything but rock you to sleep! Edges are catchy and part of our eventful biography.
The punk rockers with the completely coincidental origin of Bempflingen can now look back on a remarkable live and album history of 15 years and yet the year 2022 marked a new beginning of a special kind. In all these years, the band has always remained approachable and communicative, playing everything from living room shows to festival stages, regardless of the scale: Their punk is unconditional.
Derived from the biblical metaphor of the Flood, which is caused by decaying social values, the name is largely a program in terms of content - the band always comes clean, doesn't mince its words and stands for anti-fascism, tolerance, environmental protection, justice and - last but not least - a clear edge against the right.
Stylistically, the band describes itself as punk rock and has an unmistakable connection to hopepunk - a stiff breeze will continue to blow from this genre in the future: The type of punk rock that the five musicians* cultivate is a rebellious, varied and authentic mixture of classic uncouth three-chord full-on-12 punk sound and oppressive metal anthems with clear statements. The content of the lyrics is exceptionally versatile and offers topics of heady deep talk, a clear political edge as well as fun and ironic lyrics for collective celebration.
The energetic, wild live shows and the varied music sweep the audience inexorably along with Sündflut and invite them to break out of their everyday lives for an evening, to make a revolution, to be free. Anyone who hears Sündflut will succumb to the urge for senseless pogoing and brutal headbanging.

Pigs might fly
PMF have been around since 1992, really! Actually since 1989, but they were called something else back then. Today PMF are still around, for real! And a lot has happened in between, except that PMF has always been around, fei echt etz! Members: In the beginning there was the Pelz, the Axl and the Werner And now it's the Pelz, the Werner and the Misspigged The Pelz has a guitar and makes a lot of noises with his mouth. The Misspigged has a bass and makes a few less noises with his mouth. And Werner has drums and makes no noises with his mouth, but looks good. Werner was there at the beginning and then he wasn't and now he's back again. And who else was there? Well: Thorsten, Ralf and Tobi, McBitch and Danny and Gunni. And then there was Sushi, for more than 20 years! He played the drums. And Susi was there for ages and then thought to herself, where they sing Hosanna and the wings are not for the pigs but for the angels: She just likes it better there.

Price information:

VVK 15 + fee B.O. 20