For many years, Udo Zembok has been exploring color and its relationship to light in the medium of glass, in sculptures, associated with more experimental installations, and in architecture-related monumental art projects. For the artist, colors are three-dimensional spaces that materialize in the translucent medium of glass; color itself becomes the means of expression and subject of his research with transmitted light, without metaphorical or narrative content, even if some projects show figurative aspects. The artist's works bear witness to a permanent questioning of the visualization of light through color. Zembok addresses the intimate perceptual sensitivity of the viewer. He is concerned with activating the viewer in the act of his own perception and thus making him a sensory ''co-creator''. The reception of his works changes depending on the intensity of the light and the viewer's movements, making them very multi-layered.
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