Stepchildren

In the organizer's words:

雪の断章-情熱- Yuki no danshô, jônetsu

Director: SÔMAI Shinji
1985, 100 minutes, OmeU, 16 mm

This portrait of an orphan girl is set in Sapporo and is based on the novel of the same name by author Sasaki Marumi. Among other things, the film is known for its opening sequence, which is one of the longest tracking shots in Japanese film history.

Seven-year-old orphan Iori leads an unhappy life with the Naba family. One night, she is rescued from drowning by the young businessman Yûichi. He takes her in and, encouraged by his friend Daisuke, decides to raise the girl. Ten years later, Iori has grown into a happy schoolgirl who wants to go to university. At a party, she meets her stepsister from the Naba family, who is found poisoned shortly afterwards. Wrongly suspected of murder, Iori accidentally discovers a dark spot in Daisuke's biography.

Film series
Director Sômai Shinji (1948-2001)
A sensitive master of long takes

Sômai Shinji is considered one of the great poets among Japanese directors. His visually powerful films are characterized by long takes, which he uses to sensitively address life and death, the challenges of growing up, family and friendship, togetherness and loneliness.

Sômai rose to prominence in Japan in the 1980s, when the film industry was struggling to find its feet after the collapse of the traditional studio system. During this transitional phase, he acted as a pioneer in the era of independent directing. In Japan, his work is highly regarded and has won numerous awards; important directors such as Hamaguchi Ryûsuke, Koreeda Hirokazu and Kurosawa Kiyoshi were influenced by him. For a long time, Sômai was little known outside Japan, but his work has been rediscovered and enthusiastically received by critics and audiences, especially in recent years, after Ohikkoshi (Moving) won the Venice Classics Award for Best Restored Film at the Venice International Film Festival in 2023.

Sômai Shinji was born on January 13, 1948 in Morioka, Iwate Prefecture. After dropping out of law school, he began working as an assistant director at the Nikkatsu production company in 1972, where he worked with directors such as Hasegawa Kazuhiko and Terayama Shûji. He worked freelance from 1975 to 1979 and made his directorial debut in 1980 with Tonda kappuru (Dreamy fifteen). In 1982, Sômai founded the production company "Director's Company" together with other young filmmakers, which produced the style-defining film Taifû kurabu (Typhoon Club), among others. The breadth of his work ranges from the box office success Sêrâ fuku to kikanjû (Sailor Suit and Machine Gun) to moving dramas such as Ohikkoshi (Moving) and the melancholy road movie Kazahana (KAZA-HANA).

Between 1980 and 2001, Sômai directed 13 feature films, ten of which are presented here, including digitally restored versions. The series is complemented by the groundbreaking thriller Taiyô o nusunda otoko (The Man Who Stole the Sun) by Hasegawa Kazuhiko, Sômai's great mentor.

On September 9, 2001, Sômai died of cancer at the age of only 53.

Parts of the series will also be shown in Berlin, Hamburg and Munich.

Supported by JTI

Price information:

Admission free