inselkonzert mit Georges Paul und Christopher Dell

In the organizer's words:

Georges Paul - saxophones
Christopher Dell - objects, vibraphone

In this collaboration, Georges Paul and Christopher Dell use music as a means of mediation in which space and time are not just framework conditions but active parameters of cognition. Sound functions as a medium through which perception is organized and reality can be experienced in its processual nature.

The focus is on a process-based practice that understands musical form not as a fixed result, but as a continuous production. Events unfold relationally in the interplay of duration, density and spatial location and create temporary orders that are constantly shifting. Listening itself becomes an epistemic act: as a situational grasp of differences, transitions and transformations.

The concert appears as an open field of experimentation in which aesthetic and epistemological questions overlap. Music thus becomes a method of not depicting the conditions of reality, but of bringing them forth and putting them up for discussion in the course of its processes.