NO MORE (post-punk wave pop, kiel) + Uzimoto (lofi synth dada-pop, bln)

In the organizer's words:

le petit signal & little league shows prsnt:

NO MORE / post-punk wave pop, kiel
nomore.bandcamp.com / instagram.com/no_more_music

& UZIMOTO / lofi synth dada-pop, bln
uzimoto.bandcamp.com / instagram.com/uzimotomizu

live at Schokoladen. doors 19.00, concert starts 20.00. presale tickets available at --> https://vvk.link/47tjdtc

& after the show DJ Paty Vapor (wrong era/wisdom tits)!
soundcloud.com/patyvapor

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NO MORE form the band in 1979 as punk and new wave sweep away the 70s - break up in 1986 when the 80s are too 80s.

The Belgian industrial band "Suicide Commando" later named themselves after this NO MORE classic, DJ Hell played his remix at the Love Parade, the Frenchman Vitalic covered the song and it also became a cult song for the trainsprayer scene of the 90s.

In 2008, Tina Sanudakura and Andy Schwarz started again as a duo, not denying the past, but immediately being fully in the here and now. NO MORE are masters of happy-sad and present their mixture of short distance post-punk, pop and electronica live throughout Europe and show "how you can develop without denying the roots of the self." (Westzeit).

The French Rolling Stone wrote in 2022 about the last album "Kissin' In The Blue Dark": "In 29 tracks of rare richness, NO MORE show what electronica (Descending), post-punk (Adrift), ambient (Nightfall) can produce in the most perfect way. Playing none of the genres and yet all of them at once, NO MORE take us far, really far."

Sentire ascolatre (Italy): ... remnants of Roxy Music's languid decadence (Berlin Soul), plus the yearning of John Foxx and the inevitable echoes of "Berlin" Bowie. The rest is a kind of imaginary soundtrack that circulates Morricone, Moroder and Brian Eno molecules ...

Tina Sanudakura: Synthesizers, Theremin, Green Circle, Piano, Electronica
Andy Schwarz: Vox, Guitar, Electronica

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UZIMOTO has been collecting fragments and pieces of audible work for nearly a decade, keeping some of his minimal-pop gems and ideas in his head, while others were sung to himself like mantras or captured on recorders after bike rides across Berlin or quiet climbs up staircases.

Formerly a member of several groups (a.o. EGONX, Tanning Bats, Skeleton Glove), emerging from restless DIY punk circles that never stayed still for long, his roots in that scene gradually coalesced into this boundary-free solo persona.

Uzi's music is a radiant mixture of post-punk, new wave and dub, blending analog synths and drum machines with tribal percussion and self-recorded sounds. Channeling the spirit of an obscure minimalist striving for immense, illuminating moments, Uzi reveals the contrast between his ruthless hyper-punk nature and a tender, delicate personality.

His compositions are cued on samplers and Casio keyboards at his fingertips. Every song is an honest glimpse into his own world, stitched together and performed as raw as they were originally produced.

2026 marks the release of a long-held creative bottleneck for Uzimoto. This year he unveils his first two singles in his mother tongue - the first glimpse into the world of his upcoming debut album.