On the hunt for the perfect musical moment, the trio acts instinctively as a single organism and with a shared and unerring sense of their very own sound cosmos, developed over the years. The Thüringer Allgemeine wrote about one concert: "The boundaries between composition and free interpretation seemed just as fluid as those between Occident and Orient. The apparent contrast between the instruments became a perfect interplay."
The unusual and probably unique line-up of Aaron Christ (drums, percussion, FX), Beate Wein (piano, synths, FX) and Matyas Wolter (sitar, surbahar, FX) enables the trio to constantly explore new musical territory on what is actually a fine line. This can take the form of a complex, ancient Indian compositional form called dhrupad, on which the title track is based and which takes on a completely different face in the trio's arrangement - or the use of a bass sitar called surbahar instead of a double bass, more electronics than before and more direct borrowings from classical raga music.
from the classical raga repertoire.
The result is always playful and virtuosic, between instrumental ecstasy, intimate introspection and sensitive sound experiments, a fusion of three individual musical characters with very different influences, ranging from pop with a grand gesture, GDR punk and noise, jazz, Bach, minimal music to the classical sitar tradition from India
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