collectif blamage „Kohlhaas geschlagen“

The hybrid "Kohlhaas geschlagen" is a cross between literature and sound. A Trojan horse with drums in the trunk. The text gallops its way into consciousness via the rhythm. Once there, it causes all kinds of unrest. It is an unsparing inventory of screaming injustices and a reflection on compassion and destruction that has become rhythm.

Naomi Saupe's adaptation does not negotiate, it burns, thus making room for the anger of all those who are otherwise not heard. Whether read or beaten: Jannik Rodenwaldt, acting, and Paul Heinken, drums, help the word to sound and the text to speak - the drums continue to read where there was never a voice.

No secret: Kleist's original text is about stolen horses on well-trodden paths. "Kohlhaas geschlagen" cleans up and confronts reality: the evening challenges, formulates boundaries and demands positions. If you're not in the mood for the unfamiliar, it's best to stay at home.