Denken ohne Geländer – pulk fiktion

In the organizer's words:

Hannah Arendt was a theorist who thought a lot. pulk fiction is interested in how thinking works. And how thinking and politics are connected. Together with the audience, the performers try to understand Hannah Arendt and try out her way of thinking for themselves.

Let us understand thinking not as an everyday given, but as a risk. How do we really think for ourselves? Which mental guardrails give us security? Where are they no longer sufficient? What does it mean to let them go?

Following in the footsteps of the theorist Hannah Arendt, the performer Hannah Biedermann takes great pleasure in going off the beaten track. In doing so, she risks not knowing things and thinking publicly. In a dialog with stage technician Simon Brinkmann, she explores the relationship between thinking and political action and invites the audience to enter into a dialogue. The theater space becomes a thinking space in which there is room for questions about power and responsibility, identity and plurality. The result is a collective search for what it means to be free together.