In her solo exhibition, the sculptor explores the mechanisms of looking away and ignoring in our society. Her works take up the legal concept of "passive arming", which criminalizes the carrying of everyday protective objects at demonstrations, and make visible how state order directs perception and regulates self-protection in public spaces.
In installations made of wooden reliefs, marquetry and dough impressions, the artist combines traditional craft techniques with questions of self-protection and protest and shows how everyday actions attributed to the private sphere take on political significance in public space.
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