Transparent, slender, vivid - when Sir Simon Rattle leads the Chamber Orchestra of Europe through Brahms' dark-toned Fourth Symphony, the chamber music qualities of the work come into focus. Béla Bartók's Music for Strings, Percussion and Celesta, with its expressive sounds and Hungarian rhythms, is also entirely tailored to the reduced instrumentation of a chamber orchestra. In between, Ferruccio Busoni's sensuous Sarabande, originally intended as an orchestral study for his opera Doktor Faust , unfolds a mystical atmosphere all of its own.
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