In her works, Stephanie Comilang explores themes such as work, technology and post-colonial entanglements in the context of global mobility. To this end, she combines documentary footage, fictional elements and personal narratives. She calls her works "science fiction documentaries". In "Lumapit Sa Akin, Paraiso" ("Come to Me, Paradise") (2017, 26 min.), the urban space of Hong Kong is imagined from the perspective of Filipino migrant women. The story is told from the perspective of Paraiso, a ghost embodied by a drone, who tells of uprooting, isolation and the search for meaning. "Search for Life I" (2024, 20 min.) is a visual exploration of global mobility. The work follows historical shipping routes that have existed since the colonization of the Philippines and are used today by the global container trade.
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