How do commerce, the market, traumas, capital, Cain and Abel, prefabricated buildings, the GDR, heating with and without friction spark into every art, into every love?
When Eva meets Adam, a charming artist, at a vernissage, it doesn't take long before she gives in to his insistence and begins an intense and passionate affair with him. Although it turns out that he is neither available, nor an artist, nor charming, she finds the break-up difficult. It is not only the exhausting relationship that preoccupies the narrator. She begins to question her boyfriend as a person and an artist: What is art? At what point is it love? When is it no longer love?
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